Tag: Vermont

Show #42: 3/11/88

Friday, 03/11/1988
The Base Lodge, Stearns Hall, Johnson State College, Johnson, VT

Set 1: The Chicken[1], Funky Bitch, Sneakin’ Sally Through the Alley[2], Take the ‘A’ Train,You Enjoy Myself[3] -> Wilson, Golgi Apparatus > Slave to the Traffic Light, Flat Fee,Corinna, The Lizards, David Bowie

Set 2: Fluffhead, Dinner and a Movie, Harry Hood, The Ballad of Curtis Loew[2], Harpua,AC/DC Bag > Alumni Blues > Run Like an Antelope[4]

[1] First known Phish performance.
[2] Bobby Brown on harmonica.
[3] No vocal jam.
[4] Trey spoke the names “Marco Esquandolas… Poster Nutbag… Moses Heaps… Moses DeWitt.”

I almost didn’t know how to start this post as it’s a good show but wasn’t noteworthy. Then I began reading This Has All Been Wonderful by David “Zzyzx” Steinberg and having him say that a show can be great without an outstanding jam, it put this show really into perspective. If you’re not following PhishStats on Facebook or haven’t picked up a copy of the book, you’re missing out on some great Phish history notes by the master. Highly recommended. Click this link before buying and 0.5% can go to the Mockingbird Foundation! I also recommend as a dual layer to your Phistory, the blog 20 Years Later. The author is posting a review of that day’s show 20 years later obviously. 1994 was such  banner year and we’ll get there someday! Hopefully by late next year.

As opposed to when the band doesn’t sound inspired like our last show, sometimes the band is just on fire. Such is the case where nearly every song is well-played. Once again deep in the woods at Johnson State Collge, the remoteness as well as a crowd that the band won over by the end of the show, something really got everybody ready to throw down. Which is considerable considering how the show opens.

Trey almost half heartedly introducing a James Brown tune, “The Chicken”. “The Chicken”, while being made famous by Brown, was written by his saxophonist Alfred “Pee Wee” Ellis. This Phish version is actually more like the big band version found on Jaco Pastorius’s The Birthday Concert, hitting more jazz than funk. The set continues to build and you can hear the crowd go from chatty to interested. Crowd pleaser “Sneakin’ Sally” seems to be a big turning point. This version features local musician Bobby Brown on harmonica, adding a dimension to the setlist regular. “A Train” takes it down a notch before the band launches into “You Enjoy Myself”. The “YEM” is more notable for its segue as instead of a vocal jam, Mike hits the bass line to “Wilson” and the band goes into that. The “Wilson” is fun with an excellent intro jam before the lead vocal. A big first set highlight is “Slave” as it gets a gorgeous peak. “Flat Fee” and “Corinna” is as beautiful as a breather you can find. “Lizards” continues to amaze. The second peak is “David Bowie”. We get a “Bowie” with a long intro for the first time and they make the most of it, driving the crowd crazy with teases. In order, we have “Timber”, “Alumni”, “Smoke on the Water”, “Sunshine of Your Love”, “Money”, “Whipping Post”, and perhaps a preview of the yet-undebuted “Weekapaug Groove”. The song sounds pretty great as well but unfortunately the recording cuts out midway through ending set 1.

Set 2 kicks off with a complete “Fluffhead” suite. Nailed. Next is “Dinner and a Movie” where the band plays the signature syncopated Page solo for the first time. Nailed. “Hood” is good, naturally. The crowd knows it too. You can hear the energy seep into the performance. “Curtis Loew” with harmonica has a little more swing to it and is an excellent bridge song to the first recorded complete “Harpua”. The most interesting thing about is the story is told backwards. Trey says Harpua rounded a corner and came “face to fat” with the meanest and fattest cat Poster Nutbag! They then fight. In most versions, the nice cat Poster Nutbag meets the mean Harpua and the ensuing fight kills Poster Nutbag. Poster’s still dead here in the second half of the song (one fan yells “THE CAT’S DEAD!” before the reveal, showing the song had been played before. But that Poster is the mean one is an odd deviation. Still though, amazing the Who rock opera vibe is captured from the beginning. A tight pairing of “AC/DC Bag” and the “Letter”-less “Alumni Blues” slay as well. The “Run Like An Antelope” is a scorcher. The band really lets this one unwind, almost reaching the 15 minute mark. It’s got a very nice slow build to the “Rye Rye Rocco” break, which doesn’t happen until 12 minutes in, demonstrating an early mature patience that we haven’t seen much of yet. Also, we get a lot of Page here, which is fantastic. Really showcases his early chops in a stellar way. We also really get the first crowd reaction to “Been you to have any spliff, man?”. They yell loudly, showing that they are listening and are actually there to see Phish. It’s a great moment. Something special out there in Johnson, but no match for what would occur the following night, back home at Nectar’s. Don’t forget you can follow very post by following me on Twitter @harryphood or like this page on Facebook! See you tomorrow for sure!

Show #41: 2/26/88

UVM’s Living and Learning Center.

Friday, 02/26/1988
Living and Learning Center, University of Vermont, Burlington, VT

Set 1: The Curtain > Suzy Greenberg, You Enjoy Myself, The Man Who Stepped Into Yesterday > Avenu Malkenu > The Man Who Stepped Into Yesterday > AC/DC Bag >Possum, Phase Dance, Good Times Bad Times

Set 2: Fluffhead, I Didn’t Know[1], Golgi Apparatus > The Lizards, David Bowie, The Ballad of Curtis Loew, Fee > McGrupp and the Watchful Hosemasters > Dear Mrs. Reagan, Makisupa Policeman, Alumni Blues > Letter to Jimmy Page > Alumni Blues, Whipping Post

[1] Fishman on trombone.

In a previous post, I talked about the band having off-nights. When you’ve played 1,630 shows, they’re bound to occur in your history. This is yet another example of an off-night (or day since I’m unsure when this show was played). There’s nothing here you have to listen to. The only cool thing I thought was you can hear the crowd clapping during “I Didn’t Know” showing how embraced the band was by UVM. Also, we have the entire “The Curtain” without here. The recording however fades out of “The Lizards” missing the “If I Were a Dog” outro. We’re missing a lot of the 2nd set. Unsure if anything of note happened in those tracks but overall, a show most people can skip.

Show #40: 2/24/88

Wednesday, 02/24/1988
Gallagher’s, Waitsfield, VT

Set 1: Funky Bitch, Fluffhead, The Curtain[1] > You Enjoy Myself, I Didn’t Know[2], The Lizards, Wilson > Peaches en Regalia, Golgi Apparatus > Slave to the Traffic Light, Corinna,Fee > David Bowie

Set 2: Mustang Sally[3], Sneakin’ Sally Through the Alley[4], Sanity, La Grange, Harry Hood

[1] First known Curtain without “With.”
[2] Fishman on trombone.
[3] John Carlton on vocals.
[4] John Carlton on drums and Fishman on trombone.

Back in the Valley again, we get part of a wild night at Gallagher’s. The tape unfortunately does not include “Funky Bitch” or “Fluffhead”. It instead kicks in towards the end of the first “The Curtain” WITHOUT, meaning it does not contain the “With” section at the end. The show doesn’t really pickup until a very nice “Slave to the Traffic Light”. It has a nice closing jam and shows that the band is FINALLY learning what to do with the song. Second set is where the action is. Trey gets into it with a heckler and tells hime to come sing the song. They play “Mustang Sally” and it’s not that bad. The singer really tries to get into it. The more interesting note is that the only other person to guest on “Mustang Sally” with Phish? The one and only Bruce Springsteen. There’s some Phish trivia for you. Trey then introduces him as John Carlton and that this “man of many talents” will slide over the kit so Fish can “play his bone” on “Sneakin Sally”. Apparently Carlton was in a Vermont band called Blue Rose, according to Phish.com. No other history is available about this band. The result hover is surprisingly good. It’s actually an interesting listen to hear “Sneakin’ Sally” with trombone. I recommend checking it out. How do you combat an insane set of events? With “Sanity”, so the band busts that out. The other highlight here is a very fine “Harry Hood” to close out the recording. So, some highlights in this brief recording but worth a quick listen.

Shows #36, 37, and 38: 2/3, 2/7-8/1988

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Alright, we’ve got a trio of shows here. I’ve grouped them together because we have a snippet of 2/3 and then 2/7 and 8 are a run together. I haven’t decided whether or not to group runs together or not. Might depend on the run. These really runs though are fairly similar so it makes sense to group them together when writing these pieces.

Wednesday, 02/03/1988
Gallagher’s, Waitsfield, VT

Set 1: David Bowie

Set 2: Sympathy for the Devil[1], Fee, Run Like an Antelope, AC/DC Bag -> Possum

[1] First known Phish performance.

Back in Waitsfield, we have this nugget that somehow has slipped out into the public. No idea where the rest of the show is. The clear highlight is the “David Bowie”. It’s really the band first “extended” jam reaching just over 18 minutes. It also however clearly shows the young bands limits as Fishman keep trying to end it most notable around the 13-minute mark but the band just keeps going, despite running out of ideas were to take it. Fortunately, the band would resolve this through practice and the concept of type II but for now, it’s not quite ready for prime time. The 2nd set is well-played but nothing notable.

Sunday, 02/07/1988
Nectar’s, Burlington, VT

Set 1: Fire, McGrupp and the Watchful Hosemasters, Shaggy Dog, Golgi Apparatus >Alumni Blues > Letter to Jimmy Page > Alumni Blues, Peaches en Regalia, Phase Dance[1],Dear Mrs. Reagan, I Didn’t Know[2], David Bowie

Set 2: Happy Birthday to You, AC/DC Bag > Timber (Jerry), Flat Fee, Fee, Possum, The Lizards, Fly Famous Mockingbird[3], Whipping Post

Set 3: Suzy Greenberg[4] > The Man Who Stepped Into Yesterday > Avenu Malkenu > The Man Who Stepped Into Yesterday, Clod > Bundle of Joy, The Curtain With, The Ballad of Curtis Loew, Good Times Bad Times

[1] First known performance.
[2] Fishman on trombone.
[3] Debut.
[4] Stopped in the intro as Trey jokingly said “Good night” to the crowd and restarted.

After taking a few months off, Phish finally return to home base at Nectar’s. We’ll be hanging in Nectar’s a lot over the next few months as 1988 really marked the place as the band’s home. This show actually sounds really great for not being an SBD and might actually be better mixed than the following night’s SBD. It’s also exciting because you can hear the energy of the crowd at this early show. They are really into the band here. A raging “Fire” kicks the show into high gear. “McGrupp” follows and at about the 6-minute mark there’s a great Page solo in the middle. Some lively banter as someone yells for “ROCK ‘N ROLL!” and a lady follows it up with “No more reggae. Play some rock n roll!”, though I would not consider “McGrupp” reggae by any means. What does Phish do in their typical ways, plays an old folk tune in the form of “Shaggy Dog”. Way to win ’em over, boys. The next song, “Golgi Apparatus” however does get them as it goes into full-blown sing-along mode on the chorus. The rock vibes continue with “Alumni>Letter>Alumni” and “Peaches en Regalia”. The band then takes it down a notch with the first known performance of Pat Metheny’s “Phase Dance”. It’s a valiant effort but lacks a little bit of the emotion of the original as well as some of the technical prowess required but it does establish all the members as fine jazz players, building on that reputation. Phish.com has the debut of Charlie Parker’s “Moose the Mooche” but that was not found on any recordings that circulate. Instead, we get an actual coherent version of “Dear Mrs. Reagan”. I’m still not a fan of the song but at least the lyrics are decipherable now; still antiquated however. Following the song, Trey proves the perfect host of the evening introducing “Alex”, the new Nectar’s waitress and advises to tip her well on her 2nd night. I wonder where Alex is now. Trey then introduces Paul and asks if anyone wants to buy his old guitar, most likely his red Timecaster. I wonder where both Alex and Trey’s red Timecaster are now. The next song is not a debut but it has an important new addition. It is the first time Fish joins the band on trombone, playing on “I Didn’t Know”. A much more coherent Bowie finishes the 1st set.

Set 2 opens up with “Happy Birthday to You”, dedicated to Kristy, Roz, and Meg. Kristy being Trey’s sister, who also the song “Joy” was written for. Kristy interestingly enough was running lights for this show. Trey brought all of them up on stage but Meg wasn’t here so he had roadie Del Martin sub in. “AC/DC Bag” still has the original intro and segues into a nasty “Timber (Jerry)”. They get really out there, even inverting some of the rhythms. This might even be the jam of the show. Then we get the “Flat Fee/Fee” combo. The crowd also knows “Fee” and sings along! A key demonstration that the band is beginning to gain its legendary fan base. “Possum” begins to gain its “intro” as the band hammers on the intro chords dissonantly. The fans seem to enjoy it though screaming along, hitting the chorus. It’s probably the best “Possum” so far. Next, we get the first full-length “Lizards”. This early version is cool in that is has some Talking Heads/Latin style jamming before dropping into the “If I Were A Dog” outro around the 5:30 mark. We get another important debut following in “Fly Famous Mockingbird”. It’s a little jarring without the usual “Colonel Forbin’s Ascent” proceeding it but it’s played extremely well for a debut. It’s interesting to note that this the debut so that when Trey said “Flying around up there. 30 years later” during the MSG NYE truck set, really should have only been 25. Set 2 closes with a wild “Whipping Post”. Set 3’s only really stand out track is another fantastic “The Curtain With”. It also has a shortened “Clod” with a loud audience sing-along and a long “Good Times Bad Times”. Overall, a great show just to hear the crowd as it sounded in 1988 with some fun highlights.

Monday, 02/08/1988
Nectar’s, Burlington, VT

Set 1: Slave to the Traffic Light, Funky Bitch, Take the ‘A’ Train, Golgi Apparatus, Phase Dance, Fire, You Enjoy Myself

Set 2: Fluffhead, Wilson > Peaches en Regalia > Divided Sky, The Lizards, Run Like an Antelope[1]

Set 3: The Sloth, Flat Fee, Dinner and a Movie, Alumni Blues > Letter to Jimmy Page >Alumni Blues, Harry Hood, Bike[2], Fee, Jesus Just Left Chicago, Big Black Furry Creature from Mars

[1] “Moses Heaps” and “Moses Brown” references.
[2] Trombone solo from Fishman

Hey, do you like Mike bass bombs? Then 2/8/88 is FOR YOU! This SBD is a little poorly mix so Mike comes through loud and clear all night. It’s a little overpowering on this delicate 1980s recording and rattles my system. Night 2 of 2 (or 3?) at Nectar’s opens with “Slave to the Traffic Light”. Right from the bat, you can hear the problem with the recording. “Funky Bitch”, “A Train”, and “Golgi” are all good versions. We get a second take on “Phase Dance” and this version is little more lively and feels more like Phish. A shredded “Fire” is destroyed by too much bass. “You Enjoy Myself” is well-played.

Set 2 kicks off with the complete “Fluffhead” suite, including the previous night’s outcasts “Clod” and “Bundle of Joy”. It’s odd that the band keeps going back and forth between having hem be separate songs or part of “Fluffhead”. It won’t be too long though before that’s resolved. “Wilson” has cool little jam intro before going into the main part of the song. “Peaches” and the short “Divided Sky” are tight. “Lizards” still has the funky middle jam in it. The set 2 closer “Run Like An Antelope” is a rager though and the highlight of the set. The band hits all cylinders as they build to a raging pace. Trey even throwback to 10/31/87 by intro ducting the band as Moses Heap and Moses Brown as he did back during the jam with the Joneses that night.

Set 3 opens with a great early “Sloth”. The band hits a great groove on this tune here, that’s just a little more loose than later versions. Next is a fast moving “Flat Fee” that seems to have a quicker tempo than other versions so far. It does a great job of showing off the jazz chops again. They seem to have at least one showpiece per night. “Dinner and a Movie” has been shortened. It also does not have it’s syncopated intro, just dropping into the verse. Still very tightly played though. Nothing too crazy about “Alumni>Letter>Alumni”, except only guy really digs it by letting out a blood curdling scream. “Harry Hood” is the other big showpiece here. This version really cooks with tight interplay between all band members. A funny moment happens the band goes into the final jam after “Thank you Mr. Hood”, where today fans would throw the glowsticks, an audience member loudly says “Finally!”, as if he has been waiting for this part of the song. Trey and Page have some great interplay at the beginning of this section, working off each other’s licks. The band perfectly builds up to the big tension and release of the jam. You can hear the patience in the moment. They know how to move forward without pushing it. It’s as masterful as some of its later counterparts. A must listen for any fans of “Harry Hood”. Fish comes out to sing “Bike” but messes it up. He combines “Bike” with “Love You” and ends just playing an extended trombone solo, which is still fun. “Fee” comes next but the intro sounds like the band is going to play “Timber (Jerry)”, which is a little odd, like someone forced the change. Page does another fine job with “Jesus Just Left Chicago” and they bring it all home with “Big Black Furry Creature from Mars”. I think I prefer 2/7 to 2/8 but that might be due to audio quality. You could put together highlights from both and have a pretty great ’88 compilation. The big takeaway here is even if it’s marked SBD, it might still not be great quality. Thanks for reading. Hope to pick up the pace on 1988 here!

Show #35: 1/27/88

Gallagher’s at the corner of Route 17 and Route 100 in Waitsfield, Mad River Valley, Vermont

Wednesday, 01/27/1988
Gallagher’s, Waitsfield, VT

Set 1: Funky Bitch, Mustang Sally, AC/DC Bag -> Possum, Jesus Just Left Chicago,Sneakin’ Sally Through the Alley, Alumni Blues > Letter to Jimmy Page > Alumni Blues,Take the ‘A’ Train, Good Times Bad Times

Set 2: Wilson, Slave to the Traffic Light, Corinna > Fire, Fluffhead, Divided Sky, The Ballad of Curtis Loew, You Enjoy Myself, The Sloth > Whipping Post

Set 3: Fee > The Lizards[1], Suzy Greenberg, Golgi Apparatus, Bike, Big Black Furry Creature from Mars, Camel Walk, Harry Hood

[1] First known performance.

So where in Vermont do you go after you’ve successfully slayed the Burlington bar scene? Why to the apres-ski scene, of course! And so, it was here in Waitsfield, VT during January 1988 that Phish made their triumphant debut in the world of apres-ski. Waitsfield, of course, is exciting to me because it’s my hometown! I might have even been privy to catch part of one of these early gigs. Gallagher’s was one of two apres-ski bars across the street from each other in Waitsfield at this intersection. The other was Mooselips, more of a local dive bar than Gallagher’s. My mother once did a show at Gallagher’s and were friends with the owners at the time. The club was upstairs in the larger spec while there was a restaurant downstairs named Mother Macree’s. I remember the place being packed often. It has a barn type feel with a post and beam structure. I remember a pinball machine by the stairway between the two businesses. I also remember the restaurant having a killer brownie sundae and interesting historic pictures of Waitsfield. Anyway, would have love to know why the owners booked Phish in the winter of 1988 but alas we may never know. Gallagher’s closed. The space then became the new John Egan’s Big World Pub and Grill, with a renovation to open it up, then it also closed and the building currently sits vacant. Of course, most Phish fans would be exposed to the charms of the Mad River Valley years later in 1994. But that’s another story…

The show however has some nice highlights. Set 1 is mostly cover, which makes sense breaking in a new town and a new room. The “AC/DC Bag>Possum” is a highlight though as is “Jesus Just Left Chicago”. Set 2 has a solid “Wilson”. Building on the success of the 11/19/87 “Slave”, the version has another excellent early peak. “Fluffhead” is interesting because it drops the complete suite and goes back to the simpler version despite the longer running time. “Curtis Loew” is quite beautiful as usual here. “YEM” is well-played. “Whipping Post” is noteworthy for the Page organ jam that begins about 8 minutes and 30 seconds into the song. Set 3’s biggest note is it has the debut of “The Lizards”, one of my favorite Phish songs and favorite Gamehendge song, maybe in part due it debuting in my hometown. I actually could be a douche and say “I come from the land of Lizards”. Unfortunately, the recording starts off with the intro and then cuts to the “If I Were A Dog” outro. It’s my favorite part so it’s enough for me but it would have been nice to hear the whole song. This snippet however demonstrates that even as a first time, the song was just as strong as later versions and complete at this time. Trey plays his solo beautifully and showing master of his tone. He introduces it as a new song called “Where have all the Lizards gone?”. “Bike” is a fun entry. Fishman finally speaks and sounds excited to perform. The performance is a step in the right direction but Fish mumbles a little too much on some of the verses. “Camel Walk” gets loopy especially on the “Strut Your Stuff” lyric. The show then ends with the evening’s main attraction “Harry Hood”. Less of a peak but some really fun interplay at about the 7 minute mark with almost an early Plinko style. Page really grooving and Trey filling the gaps. I usually like a more subtle and building “Hood” but the fast flurry of notes by all members (Including Fish) is quite amazing here. A nice little show in spaces I vaguely recall. Wonderful.

Shows #33 and 34: 11/18-19/87

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November 1987 Promotional Photo. Credit: Phish.com

Wednesday, 11/18/1987
Hunt’s, Burlington, VT

Set 1: Slave to the Traffic Light, The Man Who Stepped Into Yesterday > Avenu Malkenu >The Man Who Stepped Into Yesterday, Flat Fee, Wilson > Peaches en Regalia, Take the ‘A’ Train, Golgi Apparatus > Divided Sky > Alumni Blues > Letter to Jimmy Page > Alumni Blues, Good Times Bad Times

Set 2: I Didn’t Know[1], You Enjoy Myself, Fluffhead, AC/DC Bag

[1] First known performance.

Thursday, 11/19/1987
Hunt’s, Burlington, VT

Set 1: McGrupp and the Watchful Hosemasters -> Sparks, Funky Bitch, You Enjoy Myself,Sneakin’ Sally Through the Alley, Harry Hood, Fire

Set 2: Timber (Jerry), Fluffhead, I Didn’t Know, Fee, Corinna, Alumni Blues > Letter to Jimmy Page > Alumni Blues

Set 3: Jam, Suzy Greenberg > Possum, Divided Sky > Big Black Furry Creature from Mars, Dinner and a Movie[1], The Ballad of Curtis Loew, Whipping Post, Harpua, Take the ‘A’ Train, Camel Walk, La Grange, Bike[2], Slave to the Traffic Light

[1] First known performance.
[2] First known Phish performance.

Ah, the end of the early years. Or at least as they’re grouped on the Spreadsheet and PhishTracks. These are also the last known gigs at Hunt’s. Hunt’s proved to be an important incubator for these early years, almost in tandem with Nectar’s. While Nectar’s gets all the credit because it is still around and the band played there for much longer, the availability of Hunt’s is just as crucial. Before I get into reviewing those two shows, I would like to let you in on an idea I have, one that sparked the whole genesis of this blog.

You might see the full title includes “The Phishsonian Presents”. The Phishsonian is a concept I have for a museum/retail space in Burlington celebrating the history of Phish. I’d love to work with the band to display old artifacts and photographs and just have an official presence in the city. People can learn old landmarks and about Burlington’s history. What does this have to do with Hunt’s. Hunt’s is housed in a building called the Woodbury Armory, located at 101 Main Street in Burlington. The Armory had a fire a few years ago and has sat dormant but a recent project is reviving the building, attaching it to a new hotel. The redesigned Armory will have retail space. I’d love for this retail space to be the Phishsonian, the official museum of Phish. This project could bring in fans from around the world, have special events, and teach Vermont youth about the music industry, something I wish I had growing up there. It would also contain all of the fans’ journey as well. The Mockingbird Foundation, The Phellowship, Surrender to the Flow magazine, would also be part of the story. The largest part would be capturing fan interviews. We’d love to create the largest Phish fan interview repository, so we have everyone’s favorite shows and wild stories, giving the biggest picture of our phenomenon. If you want to know more, this page will begin to have concepts and more information. You can also write me anytime at thephishsonian@gmail.com. I’d love to get this in front of Jason Colton, Kevin Shapiro and the band’s management but for now, it’s just a dream.

Anyway, on to the music. 11/18/87 you can mostly throw away. If you do want to check it out, Set 2 is where the highlights are with a well-played “You Enjoy Myself” and the first “I Didn’t Know” and “complete” Fluffhead. Other than that, the energy is just very flat. Also, all of those highlights (except for firsts) can be found the next night. 11/19 just has better energy, a better setlist, and just overall better “vibes”. It also is a nice soundboard recording that, except for some isolation moments, really sounds quite good for the age. The show kicks off with a very nice “McGrupp”, notable for the first with a Page solo. Page nails his part here. The song segues beautifully into “Sparks”, which the band continues to beautifully play. Fishman nails the drum parts more than we’ve heard so far. Funky Bitch is alright. The “YEM” is a great short early specimen. “Sally” is fun. The “Harry Hood” is the highlight of the set. The band absolutely demolishes the peak with Page and Trey locking in together to bring it home. Only wish it didn’t have some of the isolation moments during the peak. Trey shreds “Fire” to end the first set.

The 2nd set is once again where the money is because this is one of the best “Timber (Jerry)”‘s there is or ever will be. It starts off innocent enough with Trey hammering out the rhythm while Fishman plays actually a different, more tribal pattern. And then it just goes OUT THERE. Trey shreds the song to pieces. There’s nothing left to do by the end but throw out a chorus to wrap it up. Seriously, a MUST-LISTEN jam. The 2nd ever “complete” “Fluffhead” follows and it’s a beauty. Clearly, they’d been working hard on all the parts. From “Fluffhead” to “The Chase” to “Who Do? We Do!” to “Clod” to “Bundle of Joy” to “Arrival”, it’s all there and all nailed. The outro solo is also a gem. Not to say those parts wouldn’t creep out as their own songs again, they still make a few appearances but it was clear, “Fluffhead” was finally a complete work. They follow it up with the 2nd ever “I Didn’t Know”. The song is not yet the Fishman showpiece it is today, whether it’s vacuum or trombone solo. It’s a fun song with a neat vocal arrangement. A great breather here. The set continues to mellow out with a standard “Fee”, still sans megaphone, a light but pretty “Corinna”, and a standard “Alumni>Letter>Alumni”.

Set 3 opens with Trey introducing “the Mike Gordon band”, a funny thought now that Mike has his own band, which is unofficially known as “the Mike Gordon Band”. Anyway, this prompts a short jam, in which, Mike riffs on James Brown-like quotes over the band. This leads into a nice, slow “Suzy Greenberg”. A fast moving “Possum” kicks the set up a notch. “Divded Sky” comes next, still in it’s short form. It’s not a good version here with the band hitting some confusion in the escalating scales section. You want a real Trey flub, here it is. They manage to finish it though and then tear into “Big Black Furry Creature from Mars”. The anger oft he flub comes out in this “BBFCFM”. The band then debuts “Dinner and a Movie”. Interestingly enough, it does include the slow off-beat prelude but kicks off right into the hard driving groove. If you’ve heard the song, it really doesn’t do much else and the nearly 8 minutes hear, really push the boundaries of good taste. Page does a pretty version of “The Ballad of Curtis Loew” to bring the crowd back in it. “Whipping Post” kind of goes nowhere and is not as fiery as previous versions. Interestingly, we get the debut of the 2nd half of “Harpua” next, still without any context of Poster Nutbag. It’s a sign of things to come but not fully realized yet. “Take The A Train” again displays the and’s jazz chops ably, despite Trey introducing the song as “Fuck Your Face”. “Camel Walk” is a little weird as Trey plays the chord profession in an odd fashion. It’s as if he’s trying to make the Holdsworth-penned tune his own. It doesn’t quite work and the song doesn’t sound quite right. “La Grange” is a highlight with the band nailing the changes and Trey showing off on guitar. Fish comes out to debut his cover of Pink Floyd’s “Bike”. Unlike his recent string of debuts, he actually knows most of the words and the song seems to fit his singing style at this point in his career. The set ends recorded 1987 on a high note with a very well played “Slave to the Traffic Light”. I’ve been a but hard on the band so far saying “Slave” hasn’t hit the peaks right yet. It doesn’t quite build how I like it but you can’t argue with how beautiful Trey plays and has those long sustaining notes, which will become his trademark. It’s a great early “Slave” and the perfect way to say goodbye to 1987.

Hopefully tomorrow, we’ll bust into 1988 with a show from my hometown! I’d also like to thank Twenty Years Later for a shout-out the other day. He’s doing a cool thing, reviewing 1994, exactly 20 years after the show. I’ll be doing that a few years from now but still a very cool concept. Be sure tog et in touch if you want more info about the Phishsonian and how to get involved. Thanks for reading!

Show #32: 10/31/1987

Saturday, 10/31/1987
Sculpture Room, Goddard College, Plainfield, VT

Set 1: Jam -> Whipping Post[1], Sneakin’ Sally Through the Alley -> Back Porch Boogie Blues > Halley’s Comet > Light Up Or Leave Me Alone, Love You[2], AC/DC Bag, Possum,You Enjoy Myself > Big Black Furry Creature from Mars

Set 2: The Man Who Stepped Into Yesterday > Avenu Malkenu > The Man Who Stepped Into Yesterday > Peaches en Regalia, Take the ‘A’ Train > Timber (Jerry), The Chase > I Am Hydrogen > Who Do? We Do!, Fee > Divided Sky > McGrupp and the Watchful Hosemasters > Who Do? We Do! > Clod, Alumni Blues > Letter to Jimmy Page > Alumni Blues > Fluffhead, David Bowie

[1] “Slice my nipple” lyric.
[2] First known Phish performance.

Another year, another Halloween at Goddard. Once again, this show is a split bill with the Joneses. It was billed as the fanciful title “Your Local Underground Movement presents Sir Phillip S. Dark’s Supernatural Circus, featuring: the Joneses and Phish” and it would get a little supernatural for Phish in the second set. I’d like to think that somewhere in the multi-verse, there’s an alternate reality where the Joneses became the biggest band out of Burlington and Phish went nowhere. That’d be an interesting thought. Alas, it was not meant to be though they really seemed to enjoy playing with each other. This is evidently shown in the opening jam which features Most of Phish and half of the Joneses. Apparently Fishman and John Carlin of the Joneses were missing during this part of the show. The jam plays a lot off the “Low Rider” by War chord changes but is fun to hear such a huge force just having fun. The jam goes into “Whipping Post”. If you want to hear Trey play some scalding, soaring lead, this is your jam. He’s furious, almost angry while playing it. It sounds gorgeous. Introducing “the band” as “half of Phish and half of the Joneses”, Trey says Mr. Mike Gordon is on keys, Moses DeWitt on bass, Moses Heaps on drums, and Moses Brown on sound, a fun nod to the evening.

It is unclear if the next three songs also have the mixed lineup but I would think so given what happens later. “Sneakin’ Sally” is a great version with a fun vocal jam, which Mike cuts short by firing up the bass line to “Back Porch Boogie Blues”. “Back Porch” is standard and Mike again controls the show by launching into his vocal part of “Halley’s Comet”. “Halley’s” again features Nancy on vocals but also has Trey singing the falsetto part instead of Fish, who is till missing at this point. It’s interesting to hear for something else but not earth shattering. A nice tear through “Light Up or Leave Me Alone” leads to the main event which is heralded by cheering. Fishman finally appears, apparently shaved head to toe and covered in paint. On his head is a bra turned inside out to make “elephant ears” and his penis painted gray to match. He sings Syd Barrett’s “Love You” after his entrance. Fish must have been getting into Syd a lot in these few months as it’s the second debut of the fall. Fishman’s beginning to relish being the funny one at this point.

Laughs aside it’s back to business as usual as we get a cool “AC/DC Bag>Possum”. It almost feels like it’s going to segue but does not. The end of “Bag” though has a cool Page-led jam that feels like if it were 10 years later, would segue into an “Odd Couple Jam”. More on that in a few years. “Possum” has a quickened pace but other than that is standard. “You Enjoy Myself” is tight. Mike kicks off Page’s jam with a Parliament “Flashlight” bass line tease which is cool. No drum and bass but a wild reverb fueled vocal jam that goes into “Big Black Furry Creature from Mars”, which again is moving away from the original punk rock sound and more metal ending set 1.

“TMWSIY>Malkenu>TMWSIY” opens set 2. “Malkenu” has an interesting bass solo in the middle that’s cool to hear. Trey’s humor comes out again when he says “This one’s by request. We wrote this one back in the 20s.” The band rips into “Take The A Train”. It’s a great take with another great bass solo from Mike. Mike really was hitting a groove this evening. Keeping with the old school vibe, the band goes into “Timber (Jerry)”. This “Timber” goes out there. At about the 2 minute mark, the groove breaks down and the band gets very exploratory lead by Trey’s wandering lead. It’s not just Trey though, all 4 members are working on their own but together to create a psychedelic vibe. It almost has an Anthem of the Sun-era Grateful Dead vibe. Simply incredible. The real meat of set 2 follows though as the different parts of “Fluff’s Travels”, still not united, intertwine the middle of the set almost in the order they eventually will lock into place. “The Chase” kicks things off, fast and furious before ripchording into “I am Hydrogen”. This “Hydrogen” has a jazzy cymbal part by Fish that doesn’t quite fit but I can sense his wanting to keep the tempo from “The Chase” going as the transition was hard. “Hydrogen” also dumps into “Who Do? We Do!”, the section that eventually would follow “The Chase”. You can hear the same cymbal line meaning that potentially the band had practiced this but not yet but it in action yet. Now, granted this “Who Do? We Do!” is a little jazzier than the finished product but the basic idea is there, with the familiar chord progression. “Fee” follows the jazz feeling of this 2nd set, still no megaphone in sight but solid. “Divided Sky>McGrupp>Clod” is a nice one-two-three combo late in the set. The segue from McGrupp into Clod is solid and caps off the “Fluff’s Travels through Gamehendge” section.  A nice standard “Alumni>Letter>Alumni” follows and then we get actual “Fluffhead”, which is played well. A standard “Bowie” closes. Two shows left in 1987 and they will be combined into one review. A typical midweek at Hunt’s coming next.

Show #31: 10/14/1987

Wednesday, 10/14/1987
Hunt’s, Burlington, VT

Set 1: Peaches en Regalia, Take the ‘A’ Train > You Enjoy Myself -> Golgi Apparatus > Slave to the Traffic Light > The Chase[1] > Fluffhead -> Dave’s Energy Guide > Possum

Set 2: David Bowie, AC/DC Bag > Divided Sky > McGrupp and the Watchful Hosemasters > Clod > Makisupa Policeman

[1] First known performance outside of Lushington.

Always interesting that not much is known about what Phish did for almost an entire month. There’s only 3 known shows between the last review and this show and one of them was found to actually be from February 1988. This got me very flustered as I thought I had missed a show and listened to the wrong one in prep. Fortunately that was not the case.

This tape is incomplete. Phish.com has “TMWSIY>Malkenu>TMWSIY” opening again but I’m not sure that is accurate and the “Peaches” opener on Phish. net makes more sense. The keyword for this show is “flow”. The band doesn’t take many breaks between songs, which is interesting for an 80s tape from a bar. The show also has a lot of segues. It almost seems like they’re learning proper construction at this gig. The tape drops into the middle of “Peaches en Regalia” and while the quality is about a B-/C+, it still captures the feeling well. A great “Take the A-Train” follows with fine solos from Trey and Page; excellent bass work by Mike here. A tight early “YEM” follows. the band really sounds dialed in on this one and it hits all the right notes. No real bass and drums or vocal jam here as it segues into “Golgi”. Mike’s all over this “GolgI” with really bright notes filling out the tune and the band just nails it. The last chord of “Golgi” is used as the first chord of “Slave to the Traffic Light” keeping the set moving. The “Slave” is pretty standard but interestingly, it does not peak or end, opting to just go into “The Chase”. “The Chase” gets closer to being in “Fluffhead” by leading into at least as the rage of the set continues. “Fluffhead”s well played if nothing else but it does have a tape anomaly at the 7:30 mark that dampers the amazing segue into “Dave’s Energy Guide”. It’s right as Trey plays the line and you can hear the band’s hard transition but the power is lost in the degradation. “DEG” then slows down and rolls into the rollicking groove of “Possum” played at a faster pace, more fitting of modern versions. “Possum” is also marred early on by a hot mic, making it hard for Mike to sing the verse. “Possum” grooves hard and when finished, Trey announces a short break. But the wall-to-wall music of “A Train” through “Possum” is impressive and shows how hard the band was firing at this point. Amazing.

Set 2 opens with “David Bowie”. This is a classic “Bowie”, again showing the high caliber the band was playing at for this show. After a pause, we get the 2nd “song suite” of the night. Trey introduces “AC/DC Bag” as “Hold Your Head Up” jokingly and then we get the funky intro riff to “Bag”. This “Bag” is pretty groovy if standard with excellent work by Page. During the ending, it gets cut short as Trey rips into “Divided Sky”. Still the shortened version, the band plays it at top speed uncharacteristically AND also plays underneath the chant lyric, which is odd and obviously did not stick. Replacing the last chord seems to be a theme of the evening, as if Trey wanted to play a set like the “Abbey Road Medley” as once again, he forgoes the end of “Divided Sky” to play the opening riff of “McGrupp”. “McGrupp” is short with no jamming and also goes right into “Clod”. Nothing flashy in “Clod” but it sounds good before dissolving into “Makisupa Policeman”. “Makisupa” begins to get weird but the tape cuts out before blast off. All in all, a very tight show with great playing. I don’t know if fans today would enjoy it due to a lack of jamming but the band was on fire. Next, the second ever Halloween gig.

Show #26: 8/10/87

Monday, 08/10/1987
Nectar’s, Burlington, VT

Set 1: Peaches en Regalia, Alumni Blues > Letter to Jimmy Page > Alumni Blues, Golgi Apparatus, Wilson, Quinn the Eskimo, Divided Sky > Good Times Bad Times

Set 2: Fire, AC/DC Bag -> Possum, Fluffhead, Fee, The Curtain With, I Know a Little, Mustang Sally, You Enjoy Myself, La Grange

Set 3: Icculus, David Bowie, Jesus Just Left Chicago[1], Whipping Post, Anarchy, Tush, Dear Mrs. Reagan

[1] First known Phish performance.

First off, I want to apologize for the long delay between posts. I’ve been dealing with some personal stuff and it made it a little hard to focus. But I’m here now and the show must go on! Of course, being that it’s very early in the band’s career, we don’t have as large a catalog to play from. So, we might get some very similar shows. Such is the case during the is two-night stand at Nectar’s. The repeats here are plentiful. “Peaches En Regalia”, “Golgi Appartus”, “Good Times Bad Times”, “Fluffhead”, “Fee”, “You Enjoy Myself”, and “David Bowie” all appear here again. Now, while some these we van’t heard yet or didn’t even hear the previous night’s version, the set lists are getting a little similar. So, I’m going to try and just hit the highlights for this show. “Peaches” features a great example of Trey’s early tone working for him. “Alumni Blues” has amazing organ work from Page with huge sweeping chords. Also has very early Mike bass bombs. “Letter to Jimmy Page” stands out as being less aggressive and has more of a full band feel to the song. “Quinn the Eskimo” ended up being the last performance of the song until 1998 and it features a huge swirling crescendo jam in the last two minutes that dumps into the last verse and chorus well. We get the first recorded “Divided Sky” though in this early state it does not include the middle section and only repeats the beginning for the ending. The introduction is impeccably played but it loses steam in the harder “jumping” section. Work needs to be done and it will but a decent second attempt. It’s interesting that “Divided Sky” rolls into “Good Times Bad Times”. It’s jarring but the dose of hard rock to end the first set and continue that momentum, tagging in Hendrix’s “Fire” for Led Zeppelin to open the 2nd set is an inspired choice. “Fluffhead” is still not yet complete. We get the first recorded “Fee”. No megaphone yet in this rendition. It also moves at a little too fast tempo; like the band is rushing to finish. “The Curtain With” continues to amaze as the band hits all the changes with aplomb. “Mustang Sally” swings and has that Phish groove that makes the cover unique. Fish’s drumming really gives the song its unique feel. The band also takes “You Enjoy Myself” for a serious walk with all 4 members taking things to the max on the jam. It’s a thundering powerful take on the song. “Icculus” gets dedicated to Paul’s mom but is fairly standard. “David Bowie” is a must-listen. The band finally breaks out of the song and goes, what most fans know as, “Type II”. Type II jamming is when the band goes outside the normal chord structure of the song and creates something new. More recent examples of this include the “Tahoe Tweezer” and the “AC Twist”. This is the first time we get outside the normal “Bowie” and just get free. It’s a glorious moment, occurring about 8 minutes into the song. The jam is strong too. All 4 members are in sync and on board. Fish leading the way with a steady but improvised beat. Page filling Trey’s rifts with strong keys and Mike’s bass filling the space between. It’s fleeting but a glimpse at what’s to come. 3 ZZ Top songs appear in this show, “La Grange”, “Tush”, and the night’s lone debut “Jesus Just Left Chicago”. A tune that a lot of fans would come to know on the 1997 live album “Slip, Stitch, and Pass”, this version lays the groundwork for all other versions that followed and it’s a great place to start with passionate playing from Trey and solid rhythm work from Mike and Fish. The other note is you can tell the band is starting to gain respect and some fans. There’s strong applause after each number and more and varied requests. You can feel the building energy. Next, I tackle the long vaunted “Ian’s Farm” show!

Show #24: 5/20/87

Wednesday, 05/20/1987
The Ranch, South Burlington, VT

Set 1: Wilson > Run Like an Antelope, Golgi Apparatus > Back Porch Boogie Blues >Lushington[1] -> Possum, Harry Hood, You Enjoy Myself, Alumni Blues[2]

Set 2: Fire

[1] No lyrics.
[2] Guests from The Joneses and Mental Floss on rhythm guitar and saxophone.

Our first video! We finally get to see what this band looks like at this time. Sure the quality’s not the best but it’s a 25 year old tape! If only the ability to digitize it had come sooner. But alas, I still suffer through my bootleg of Pink Floyd “The Wall” live at Nassau 1980, just to see what the spectacle was like. We finally see that while Trey has started to gain his signature sound, he is not yet playing his custom signature Languedoc. He IS however playing his red Timecaster, which was built by Paul at Time Guitars in Vermont. Trey also already has his custom built cabinets. Mike is playing a Time bass but not the Languedoc bass. Page and Fish are a little too darker to fully make out their look. Fish is buried behind Mike in this setup. This show is a split bill with the Joneses and believe to be tied to Graduation at UVM and/or Goddard. This might even be Mike’s classes party as Mike graduated from UVM in May 1987.

The band returns to fine form after the sloppy performance of 5/11. Wilson kicks the set off and is more like modern version. The E chord intro however is played under a drone form Page and also is a high E instead of the low E we know today. Definitely nailing down the power of “Wilson”. “Run Like An Antelope” is quite good with great leads form Trey on the middle jam. Looks like there’s at 20 people grooving at the show, including a couple on the roof! Wild to see a crazy 80s house party. It looks nothing like all those terrible movies. Except for Trey’s holes in the knees of his jeans. Those are quite real. He and Mike could have been stand-ins in Wayne’s World. We even see someone being an early “That Guy” wearing a Phish logo t-shirt to the show. I wonder if he still has that and what it’d be worth. After a lengthy pause with no good banter (but a Marley appearance!!), the band busts into “Golgi Apparatus”. Trey almost nails the middle solo. It’s hilarious when he flubs it and then looks to Mike and Page and shakes his head. He wants to be perfect so much at this stage. There’s an interesting run of notes up before the ending crescendo. Also, the vocals are much improved as Trey becomes more confident in his voice. Mike’s bass also sounds fantastic on “Golgi” as well.

Trey hits the opening lick to “Bach Porch Boogie Blues” and it’s time to get down. The band has perfected the tune. It’s an early glimpse at how amazingly the band would play bluegrass tankards later on. Page’s keys mirror Trey’s riffs quite well and he even has a great solo on the Rhodes early on. About midway through “Back Porch”, the speed demons inhibit the band and they get faster and faster. All the way, they maintain the vibe and it’s impressive to watch. Trey nailing hot licks and Page right by him; Mike keeping up with Fishman and the four-headed monster is just looking gnarly. The song dissolves into noise. This version absolutely smokes and it’s wonder that the tune has been shelved. I think it might be time for a comeback! Someone make a sign for SPAC! “The Chase” comes next and they are just nailing the odd time signature and structure. It quick rolls into a short instrumental version of “Lushington” before hitting the groove to “Possum”, which is played well and hits a fun groove if nothing else.

The band tunes and Marley (maybe other dogs) bark. It almost sounds like the band’s going to play “Slave to the Traffic Light” but we get the opening chords to “Harry Hood” The “Hood” is quite good here as Trey and Page play well with each other on the “landing” jam. The band also sounds really tight. Unfortunately, the end gets cut off so there’s no release. “You Enjoy Myself” follows. We finally get a nice long shot of Page! With a full head of hair! The band’s still working this one out with all the intricate changes and patterns but damn if they aren’t trying. The set ends with Trey inviting members of the Joneses and Mental Floss to the stage to do a Burlington All-Star version of “Alumni Blues”. It’s especially interesting to here Peter Danforth on soprano saxophone adding to the tune. The jam doesn’t really go anywhere that much but it’s always to hear a stage full of musicians rip through a Phish tune. The ending sax solo almost makes it seem like a Night Court jam before the ending chorus of “I’m Alright” kicks in. Another interesting day in Phishtory. As a bonus, I’ve included a clip of the Joneses playing the Grateful Dead classic “The Music Never Stopped” from the same day. Enjoy this piece of Burlington music history. At 3 minutes in, you can see Page stroll by the volleyball court.