Show #32: 10/31/1987

Saturday, 10/31/1987
Sculpture Room, Goddard College, Plainfield, VT

Set 1: Jam -> Whipping Post[1], Sneakin’ Sally Through the Alley -> Back Porch Boogie Blues > Halley’s Comet > Light Up Or Leave Me Alone, Love You[2], AC/DC Bag, Possum,You Enjoy Myself > Big Black Furry Creature from Mars

Set 2: The Man Who Stepped Into Yesterday > Avenu Malkenu > The Man Who Stepped Into Yesterday > Peaches en Regalia, Take the ‘A’ Train > Timber (Jerry), The Chase > I Am Hydrogen > Who Do? We Do!, Fee > Divided Sky > McGrupp and the Watchful Hosemasters > Who Do? We Do! > Clod, Alumni Blues > Letter to Jimmy Page > Alumni Blues > Fluffhead, David Bowie

[1] “Slice my nipple” lyric.
[2] First known Phish performance.

Another year, another Halloween at Goddard. Once again, this show is a split bill with the Joneses. It was billed as the fanciful title “Your Local Underground Movement presents Sir Phillip S. Dark’s Supernatural Circus, featuring: the Joneses and Phish” and it would get a little supernatural for Phish in the second set. I’d like to think that somewhere in the multi-verse, there’s an alternate reality where the Joneses became the biggest band out of Burlington and Phish went nowhere. That’d be an interesting thought. Alas, it was not meant to be though they really seemed to enjoy playing with each other. This is evidently shown in the opening jam which features Most of Phish and half of the Joneses. Apparently Fishman and John Carlin of the Joneses were missing during this part of the show. The jam plays a lot off the “Low Rider” by War chord changes but is fun to hear such a huge force just having fun. The jam goes into “Whipping Post”. If you want to hear Trey play some scalding, soaring lead, this is your jam. He’s furious, almost angry while playing it. It sounds gorgeous. Introducing “the band” as “half of Phish and half of the Joneses”, Trey says Mr. Mike Gordon is on keys, Moses DeWitt on bass, Moses Heaps on drums, and Moses Brown on sound, a fun nod to the evening.

It is unclear if the next three songs also have the mixed lineup but I would think so given what happens later. “Sneakin’ Sally” is a great version with a fun vocal jam, which Mike cuts short by firing up the bass line to “Back Porch Boogie Blues”. “Back Porch” is standard and Mike again controls the show by launching into his vocal part of “Halley’s Comet”. “Halley’s” again features Nancy on vocals but also has Trey singing the falsetto part instead of Fish, who is till missing at this point. It’s interesting to hear for something else but not earth shattering. A nice tear through “Light Up or Leave Me Alone” leads to the main event which is heralded by cheering. Fishman finally appears, apparently shaved head to toe and covered in paint. On his head is a bra turned inside out to make “elephant ears” and his penis painted gray to match. He sings Syd Barrett’s “Love You” after his entrance. Fish must have been getting into Syd a lot in these few months as it’s the second debut of the fall. Fishman’s beginning to relish being the funny one at this point.

Laughs aside it’s back to business as usual as we get a cool “AC/DC Bag>Possum”. It almost feels like it’s going to segue but does not. The end of “Bag” though has a cool Page-led jam that feels like if it were 10 years later, would segue into an “Odd Couple Jam”. More on that in a few years. “Possum” has a quickened pace but other than that is standard. “You Enjoy Myself” is tight. Mike kicks off Page’s jam with a Parliament “Flashlight” bass line tease which is cool. No drum and bass but a wild reverb fueled vocal jam that goes into “Big Black Furry Creature from Mars”, which again is moving away from the original punk rock sound and more metal ending set 1.

“TMWSIY>Malkenu>TMWSIY” opens set 2. “Malkenu” has an interesting bass solo in the middle that’s cool to hear. Trey’s humor comes out again when he says “This one’s by request. We wrote this one back in the 20s.” The band rips into “Take The A Train”. It’s a great take with another great bass solo from Mike. Mike really was hitting a groove this evening. Keeping with the old school vibe, the band goes into “Timber (Jerry)”. This “Timber” goes out there. At about the 2 minute mark, the groove breaks down and the band gets very exploratory lead by Trey’s wandering lead. It’s not just Trey though, all 4 members are working on their own but together to create a psychedelic vibe. It almost has an Anthem of the Sun-era Grateful Dead vibe. Simply incredible. The real meat of set 2 follows though as the different parts of “Fluff’s Travels”, still not united, intertwine the middle of the set almost in the order they eventually will lock into place. “The Chase” kicks things off, fast and furious before ripchording into “I am Hydrogen”. This “Hydrogen” has a jazzy cymbal part by Fish that doesn’t quite fit but I can sense his wanting to keep the tempo from “The Chase” going as the transition was hard. “Hydrogen” also dumps into “Who Do? We Do!”, the section that eventually would follow “The Chase”. You can hear the same cymbal line meaning that potentially the band had practiced this but not yet but it in action yet. Now, granted this “Who Do? We Do!” is a little jazzier than the finished product but the basic idea is there, with the familiar chord progression. “Fee” follows the jazz feeling of this 2nd set, still no megaphone in sight but solid. “Divided Sky>McGrupp>Clod” is a nice one-two-three combo late in the set. The segue from McGrupp into Clod is solid and caps off the “Fluff’s Travels through Gamehendge” section.  A nice standard “Alumni>Letter>Alumni” follows and then we get actual “Fluffhead”, which is played well. A standard “Bowie” closes. Two shows left in 1987 and they will be combined into one review. A typical midweek at Hunt’s coming next.

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