Shows #33 and 34: 11/18-19/87

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November 1987 Promotional Photo. Credit: Phish.com

Wednesday, 11/18/1987
Hunt’s, Burlington, VT

Set 1: Slave to the Traffic Light, The Man Who Stepped Into Yesterday > Avenu Malkenu >The Man Who Stepped Into Yesterday, Flat Fee, Wilson > Peaches en Regalia, Take the ‘A’ Train, Golgi Apparatus > Divided Sky > Alumni Blues > Letter to Jimmy Page > Alumni Blues, Good Times Bad Times

Set 2: I Didn’t Know[1], You Enjoy Myself, Fluffhead, AC/DC Bag

[1] First known performance.

Thursday, 11/19/1987
Hunt’s, Burlington, VT

Set 1: McGrupp and the Watchful Hosemasters -> Sparks, Funky Bitch, You Enjoy Myself,Sneakin’ Sally Through the Alley, Harry Hood, Fire

Set 2: Timber (Jerry), Fluffhead, I Didn’t Know, Fee, Corinna, Alumni Blues > Letter to Jimmy Page > Alumni Blues

Set 3: Jam, Suzy Greenberg > Possum, Divided Sky > Big Black Furry Creature from Mars, Dinner and a Movie[1], The Ballad of Curtis Loew, Whipping Post, Harpua, Take the ‘A’ Train, Camel Walk, La Grange, Bike[2], Slave to the Traffic Light

[1] First known performance.
[2] First known Phish performance.

Ah, the end of the early years. Or at least as they’re grouped on the Spreadsheet and PhishTracks. These are also the last known gigs at Hunt’s. Hunt’s proved to be an important incubator for these early years, almost in tandem with Nectar’s. While Nectar’s gets all the credit because it is still around and the band played there for much longer, the availability of Hunt’s is just as crucial. Before I get into reviewing those two shows, I would like to let you in on an idea I have, one that sparked the whole genesis of this blog.

You might see the full title includes “The Phishsonian Presents”. The Phishsonian is a concept I have for a museum/retail space in Burlington celebrating the history of Phish. I’d love to work with the band to display old artifacts and photographs and just have an official presence in the city. People can learn old landmarks and about Burlington’s history. What does this have to do with Hunt’s. Hunt’s is housed in a building called the Woodbury Armory, located at 101 Main Street in Burlington. The Armory had a fire a few years ago and has sat dormant but a recent project is reviving the building, attaching it to a new hotel. The redesigned Armory will have retail space. I’d love for this retail space to be the Phishsonian, the official museum of Phish. This project could bring in fans from around the world, have special events, and teach Vermont youth about the music industry, something I wish I had growing up there. It would also contain all of the fans’ journey as well. The Mockingbird Foundation, The Phellowship, Surrender to the Flow magazine, would also be part of the story. The largest part would be capturing fan interviews. We’d love to create the largest Phish fan interview repository, so we have everyone’s favorite shows and wild stories, giving the biggest picture of our phenomenon. If you want to know more, this page will begin to have concepts and more information. You can also write me anytime at thephishsonian@gmail.com. I’d love to get this in front of Jason Colton, Kevin Shapiro and the band’s management but for now, it’s just a dream.

Anyway, on to the music. 11/18/87 you can mostly throw away. If you do want to check it out, Set 2 is where the highlights are with a well-played “You Enjoy Myself” and the first “I Didn’t Know” and “complete” Fluffhead. Other than that, the energy is just very flat. Also, all of those highlights (except for firsts) can be found the next night. 11/19 just has better energy, a better setlist, and just overall better “vibes”. It also is a nice soundboard recording that, except for some isolation moments, really sounds quite good for the age. The show kicks off with a very nice “McGrupp”, notable for the first with a Page solo. Page nails his part here. The song segues beautifully into “Sparks”, which the band continues to beautifully play. Fishman nails the drum parts more than we’ve heard so far. Funky Bitch is alright. The “YEM” is a great short early specimen. “Sally” is fun. The “Harry Hood” is the highlight of the set. The band absolutely demolishes the peak with Page and Trey locking in together to bring it home. Only wish it didn’t have some of the isolation moments during the peak. Trey shreds “Fire” to end the first set.

The 2nd set is once again where the money is because this is one of the best “Timber (Jerry)”‘s there is or ever will be. It starts off innocent enough with Trey hammering out the rhythm while Fishman plays actually a different, more tribal pattern. And then it just goes OUT THERE. Trey shreds the song to pieces. There’s nothing left to do by the end but throw out a chorus to wrap it up. Seriously, a MUST-LISTEN jam. The 2nd ever “complete” “Fluffhead” follows and it’s a beauty. Clearly, they’d been working hard on all the parts. From “Fluffhead” to “The Chase” to “Who Do? We Do!” to “Clod” to “Bundle of Joy” to “Arrival”, it’s all there and all nailed. The outro solo is also a gem. Not to say those parts wouldn’t creep out as their own songs again, they still make a few appearances but it was clear, “Fluffhead” was finally a complete work. They follow it up with the 2nd ever “I Didn’t Know”. The song is not yet the Fishman showpiece it is today, whether it’s vacuum or trombone solo. It’s a fun song with a neat vocal arrangement. A great breather here. The set continues to mellow out with a standard “Fee”, still sans megaphone, a light but pretty “Corinna”, and a standard “Alumni>Letter>Alumni”.

Set 3 opens with Trey introducing “the Mike Gordon band”, a funny thought now that Mike has his own band, which is unofficially known as “the Mike Gordon Band”. Anyway, this prompts a short jam, in which, Mike riffs on James Brown-like quotes over the band. This leads into a nice, slow “Suzy Greenberg”. A fast moving “Possum” kicks the set up a notch. “Divded Sky” comes next, still in it’s short form. It’s not a good version here with the band hitting some confusion in the escalating scales section. You want a real Trey flub, here it is. They manage to finish it though and then tear into “Big Black Furry Creature from Mars”. The anger oft he flub comes out in this “BBFCFM”. The band then debuts “Dinner and a Movie”. Interestingly enough, it does include the slow off-beat prelude but kicks off right into the hard driving groove. If you’ve heard the song, it really doesn’t do much else and the nearly 8 minutes hear, really push the boundaries of good taste. Page does a pretty version of “The Ballad of Curtis Loew” to bring the crowd back in it. “Whipping Post” kind of goes nowhere and is not as fiery as previous versions. Interestingly, we get the debut of the 2nd half of “Harpua” next, still without any context of Poster Nutbag. It’s a sign of things to come but not fully realized yet. “Take The A Train” again displays the and’s jazz chops ably, despite Trey introducing the song as “Fuck Your Face”. “Camel Walk” is a little weird as Trey plays the chord profession in an odd fashion. It’s as if he’s trying to make the Holdsworth-penned tune his own. It doesn’t quite work and the song doesn’t sound quite right. “La Grange” is a highlight with the band nailing the changes and Trey showing off on guitar. Fish comes out to debut his cover of Pink Floyd’s “Bike”. Unlike his recent string of debuts, he actually knows most of the words and the song seems to fit his singing style at this point in his career. The set ends recorded 1987 on a high note with a very well played “Slave to the Traffic Light”. I’ve been a but hard on the band so far saying “Slave” hasn’t hit the peaks right yet. It doesn’t quite build how I like it but you can’t argue with how beautiful Trey plays and has those long sustaining notes, which will become his trademark. It’s a great early “Slave” and the perfect way to say goodbye to 1987.

Hopefully tomorrow, we’ll bust into 1988 with a show from my hometown! I’d also like to thank Twenty Years Later for a shout-out the other day. He’s doing a cool thing, reviewing 1994, exactly 20 years after the show. I’ll be doing that a few years from now but still a very cool concept. Be sure tog et in touch if you want more info about the Phishsonian and how to get involved. Thanks for reading!

Show #3: 12/1/84

http://www.phishtracks.com/shows/1984-12-01

Saturday, 12/01/1984
Nectar’s, Burlington, VT

Soundcheck: Fluffhead

Set 1: Jam, Wild Child > Bertha, Can’t You Hear Me Knocking, Camel Walk, Jam, In the Midnight Hour, Scarlet Begonias > Fire[1] > Fire on the Mountain > Makisupa Policeman, Slave to the Traffic Light[2], Spanish Flea[1], Don’t Want You No More[3] ->Cities[1] -> Drums[4] -> Skippy the Wondermouse[5], Fluffhead[6]

Encore: Eyes of the World

[1] First known Phish performance.
[2] First known performance.
[3] First known Phish performance; missing final lyrics.
[4] Marc Daubert.
[5] First known Phish performance; Dude of Life on vocals.
[6] First known performance; Dude of Life on vocals.

So far we’ve reviewed the first show, the “phirst” show, and no we come to probably what is actually the first REAL Phish show. The band introduces some originals, displays the trademark silliness the band would continue until the late 1990s. This is also the first bar gig on record at the legendary Nectar’s on Main Street in Burlington. The bar scene would prove very important to Phish. Trey Anastasio explained it this way to PBS News Hour:

“There were more bars per capita in Burlington than anywhere in America and that was the year the drinking age changed. It was grandfathered, Vermont was the last state to change the drinking age. So I was 18. That’s why there were so many bars. There aren’t more bars in Burlington today. That was the last 3 years that there were. There were 53 bars in a small town. Every bar wanted a band. So when you got a gig in Burlington in 1983, it was for 3 nights, 3 sets, I mean, we played like 6 hours a night. And the owner of the bar of the bar we would play in would come up to us and say, “Play a slow one, play a fast one, play a cover, play a Beatles cover” because there was no cover, we were just the band in the corner. We got really good at playing live and I think if we weren’t in the right place at the right time, I don’t think any of this would have happened.”

In this recording, we only have one set. Now Nectar’s in the 1980s was VERY different from the Nectar’s you would visit today. Nectar’s was not split up into two separate venues with an upstairs (now named Club Metronome) and downstairs. The entire space was one venue with bands performing upstairs and the traditional restaurant downstairs. It was in the upstairs space that this gig would be played and most of the gigs would be played. The band would play many different bars all over Burlington in the coming years but Nectar’s was always marked as the place where it all began, partly due to this tape. It also was the oldest available Phish recording until 11/3/84 surfaced and the first clear soundboard recording of the band.

The show leads off with the interesting pairing of “Scarlet>Fire (Hendrix)>Fire”. This differs from the 12/2/83 version in that the band sounds much more relaxed playing the two Dead covers and instead of just mimicking the Dead, puts more of their own sound towards the songs. The band’s transition betweens songs is also on point with using the end of Scarlet Begonias for both, taking it down to Jimi Hendrix’s “Fire”‘s key to transition into that and picking up the riff again at the end to transition into Fire on the Mountain. It’s a key omen as the band has learned how to work a “set” of songs properly for good flow. The recording debut of “Makisupa Policeman” follows and has no special keywords but is a great introduction to the band’s reggae original and playful riffing on reggae and “smoking herb”. A break in the action has playful banter with Trey explaining they wrote that in down in Kingston to which someone replies Kingston, VT! (There is no town as such but Granville was named Kingston at one point.) They also do a bit about the emergency broadcast system in which they say that no one will have time to know what to do in an emergency. Marc Daubert yells out the next song is about the Burlington parking situation and the band launches into another original, “Slave to the Traffic Light”. The song doesn’t have the patience that will be exhibited in future versions but it’s interesting to hear the song with keys and with a twin guitar attack. Also, Trey doesn’t have his signature sound yet and some of the harmonics we all know and love fall flat.

“Here’s the magic band you’ve all been waiting for, Herb Alpert and the Tijuana Brass,” states Trey as they go into the next track, “Spanish Flea”. This is worth it alone for the early band introductions by Marc Daubert. I would love to petition fans to give the Milkman nickname back to Mike Gordon. Trey sets up the next tune by saying here’s a band that was not as popular, the Allman Brothers Band. Audience members shout out many other bands while the band tunes up and then launch into “Don’t Want You No More” from the Allmans’ debut album. Not much is noteworthy the beginning of the rack but around 4:30, the band slips out of the more bluesy followthrough of the track and gets into a funk jam that would not be too uncommon in today’s Phish shows. It’s tasty really glimpse at where the band would go. Mike drops the bass line to “Cities” and the band is off. It’s a fairly straightforward performance of the song except using Phish’s own slow tempo version in stead of the faster “dance” tempo found on Talking Heads’ Fear of Music. Amazing is that this now band staple disappeared for a long time and was discovered by most on Slip, Stitch, and Pass years later. A long drum solo with Daubert and Fish ensues. Trey might have even jumped in but it was unclear.

To close out the set, the band also debuts two Phish originals but with the assistance of another very special guest. With a slow-building intro, Trey brings out for the very first time, the Dude of Life! The Dude guests on the debut of “Skippy the Wondermouse”. “Skippy” does not live on but its music does in the form of “McGrupp and the Watchful Hosemasters”. The lyrics of “Skippy” get lost in the beauty of the song and are very throwaway. Luckily the tune did not. The debut of “Fluffhead” is, in fact, very different from the Fluffhead we all know and love. None of the delicateness or slow build that accompanies the tune today is there. It also does not include the “Fluff’s Travels” section of the song. The bouncy tempo and jangly guitars make the tune actually sound more like what I’d picture Dave Matthews Band covering “Fluffhead” would sound like. Overall though, not a bad first try. The show ends with crowd pleaser “Eyes of the World” which doesn’t sound too different from the version presented on 11/3/84. Not a bad little show and definitely sets the Phish “vibe”. Tomorrow: we begin 1985!