Show #6: 10/17/85

Finbar’s at the corner of Church and Main, currently Manhattan Pizza.

http://www.phishtracks.com/shows/1985-10-17

Thursday, 10/17/1985
Finbar’s, Burlington, VT

Set 1: T.V. Theme[, Alumni Blues > Letter to Jimmy Page > Alumni Blues > Mike’s Song,Dave’s Energy Guide, Revolution, Anarchy, Camel Walk, Run Like an Antelope, McGrupp and the Watchful Hosemasters

Finally a full set of originals. Sure Phish covers are fun and we have a lot more of them to go through but it’s nice seeing the band become the gang we all know and love. Considering they had more than enough covers to fill 4 nights at Madison Square Garden, it’s nice to know this was the first solid recording to support that. This show was played at Finbar’s, which you can see it’s current iteration above. It’s interesting that most of these location still exist as bars in Burlington, as the number of bars have dwindled and they were all concentrated on Main Street. I’d except to see some Church and Pearl but no, the band really did play Route 2 for most of their career as Trey said at Bangor ’94. Anyway, more on that in a later post.

This show is also important because it’s the first since Trey, Tom, Marc, and Fish all went to Europe for the summer and essentially backpacked and wrote music. Some very important songs in the Phish catalog and as they’re introduced,  I’ll note which ones came from this trip. It’s also important because it’s the first recording that Page is a permanent member of the group. This was announced on 9/26/85 on UVM’s radio station WRUV. Sometime between saying Phish is a two-guitar band and then, most likely talking it over with Fish in Europe, they both agreed Page made the band stronger. And that’s something I think we all can agree on now, Page Side Rage Side for life. Unfortunately on this recording, Page gets buried in the mix making it hard to feel his contributions.

This version cuts off the TV Theme. Don’t really understand why but not an issue, not a big miss. It drops in with “Alumni Blues>Letter to Jimmy Page>Alumni Blues”. The song was a pretty common track in the days and this is a ripping blues version played perfectly. A great early danceable number in the set. Mike’s boppin’ bass line is especially funky. Next we get “Mike’s Song” introduced here as “Microdot”, filling in for “Mike Wrote That”. The name would stick for a few gigs before simply reverting to “Mike’s Song”.  A fairly standard version but also retains the odd outré before again segueing into “Dave’s Energy Guide”.

After the standard “DEG”, Trey introduces “one of our few punk songs.” A fan yells out Leunig’s Sucks, which indicates the band has accumulated a few fans at this point since Leunig’s Sucks used to be the title of the tune, which is now called “Revolution.” Leunig’s being the name of a fancy French restaurant on the corner of Church and College that apparently Trey had a beef with at some point. They wail through it yelling Revolution over the short song. Then Trey says, “We actually do have one other punk song. Since you reacted so well to that one, we’ll do this one. This one’s called ‘Anarchy’. The joke being that “Anarchy” and “Revolution” are the exact same song just with the words changed.

The band kicks in to dance mode again with a very funky “Camel Walk” that has a nice extended intro. It jams out for about 3 minutes before dropping into the familiar shuffle of the tune. The tape cuts and dropped into a raging “Run Like an Antelope”. Obviously, the bar has gotten more people as the crowd gets louder. Still it’s a tasty jam, filling out more of the traditional song structure and getting more of that familiar “Antelope” feel as compared to 5/3/85. We also get the lyrics too! Clearly a song that had been worked on since May. The available music closes with “McGrupp”. Again, the lyrics are in the spoken-word form, not quite yet set to the music. The song also closes with a nice jam that begins at about the 6-minute mark and takes it out until the tape ends.

And that’s 10/17/85. If you have suggestions, feel free to drop me a line and follow me on Twitter @harryphood. See you tomorrow!

Advertisements

Show #5: 5/3/85

http://www.phishtracks.com/shows/1985-05-03

Friday, 05/03/1985
University of Vermont, Burlington, VT

Set 1: Slave to the Traffic Light, Mike’s Song > Dave’s Energy Guide, Big Leg Emma

Set 2: Alumni Blues, Wild Child, Can’t You Hear Me Knocking, Jam -> Cities, Bring It On Home[1]

Set 3: Scarlet Begonias > Eyes of the World -> Whipping Post[2] -> McGrupp and the Watchful Hosemasters > Makisupa Policeman[3] > Run Like an Antelope -> The Other One[4]

Encore: Anarchy

[1] First known Phish performance; Bobby Brown on harmonica.
[2] Jeff on vocals.
[3] Reggae jam.
[4] First known Phish performance.

  
First off, the McGrupp quandary has been solved. The 3/4/85 version is most likely from 4/6/85 instead, the actual debut of the song. It’s interesting because the setlist definitely has the similar tune “Skippy the Wondermouse”, which was probably played but not recorded. That note is missing on 3/4/85’s setlist page but seen on 4/6/85’s page. So that solves that mystery…for now!

On to today’s show, which is yet another important milestone in Phishtory. This show took place on the Redstone campus as part of the Last Day celebrations. The only known recordings of this show feature two songs of the first set and the entire third set and encore of the show. From the first set, we get, not the first ever, but the first recording of “Mike’s Song”, introduced directly by Trey as such. “Mike’s Song” is a long time staple of the band but interesting to hear without many of its usual pairings. It also has an odd outro that has it’s own lyrics but are mostly inaudible on this recording before going into “Dave’s Energy Guide”. “DEG” is an instrumental that focuses on trying to sound like King Crimson and the picking style of Robert Fripp. It may not reach that heights but it’s certainly and interesting pattern and this is a VERY good clear example of the song. This would be key because while the song does not live on, it is a common tease in many shows even up to present day. “DEG” ends and then the band chats for a moment before the big news.

“We’re gonna do one. Then we’re gonna take a very short break and then come back. We’ve got a very special guest with us today. From Goddard College, we have Page on keyboards and it’s gonna be a treat, so. And then the recording cuts out but we have the introduction on tape! So, how did Page from Goddard arrive to play with Phish. Well, Page was faced with the task of booking bands for Goddard’s SpringFest earlier in April. He booked Phish and shared the bill with them in his own band named Love Goat. Clearly, Page liked Phish’s work and asked to join them. Trey still felt Phish was a two-guitar band at the time but allowed Page to sit-in at this show. The difference is immediate from the start as we drop into “Scarlet Begonias”. Now, everyone wants to hear Phish cover the Dead these days. Having heard Phish cover “Scarlet” a bunch now and this being the final time, I really hope they don’t. I love both bands but Phish’s originals sound so much better. Anyway, in this version, Page’s keys really round out the version and add a layer of depth missing earlier. He’s a much more complimentary player to Trey than Jeff. The band has also been working on segues and the segue into “Eyes of the World” is perfect. It’s very ambient but it drops in nicely. It would not feel out of place at a show today in fact. This “Eyes” is definitely the best by the band in the 3 versions. They feel more relaxed and hitting the song’s groove better. It shows a maturity for the material not seen until this point. While I am glad they began to move on from Dead covers, a few more versions would have been interesting to see. The last 4 minutes are particularly interesting as they leave the structure of “Eyes” for a moment and jam. Mike fires up the bass line to Allmans’ “Whipping Post” and it’s off to the races. The jam actually backs off the intensity and goes out there. It’s gets very spacey which is an interesting choice. Some hot keys from Page hit the fills between Jeff’s driving rhythm guitar. Trey then uses his effects to throw huge waves of chords over the top, giving it the aforementioned feeling. It’s an interesting peak into the future of Phish jams. “Whipping Post” segues into “McGrupp” but is cut off.

The band then goes into “Makisupa Policeman”. It’s an interesting version in that it features the same lyrics as the last version to begin, something modern “Makisupas” do not do. Page also features on this with some great organ fills. The song then becomes a vehicle to introduce the band, which was a very cool idea. It then takes a serious turn with lyrics, “All you have to do to free the nation is free weed, free the rastaman, free reggae music! And the nations will be free.” It’s a fun jam that makes a silly song serious for a moment. The tape then goes to the first recorded performance of “Run Like An Antelope”. Now, this is only the jam section but it’s an early look at the bliss that the song would become. Page adds complimentary Rhodes parts underneath Trey’s solo. The tension and release that would become the band’s signature, really has its recorded origins in this delightful 6 minute romp. The band then closes the set with a ripping rendition of the Dead’s “The Other One”. One of my favorite tracks from the revolutionary 1967 album Anthem of the Sun, this rendition finds the band hitting in full stride. Around 7:40, Mike hits the bass line to “My Soul” and fits it nicely with Trey’s solo. The band then destroys all the beauty of the day in typical Phish fashion by encoring with the short thrash number “Anarchy” and Trey saying “See you next year!” Way to go guys.

Coming up, Fall 1985! Back from Europe with ideas! Hope you’ll join me again and don’t forget to follow me on Twitter for all your Phishy updates @harryphood!