Nectar’s, Burlington, VT
Set 1: Funky Bitch, Mike’s Song > Alumni Blues > Letter to Jimmy Page > Alumni Blues,You Enjoy Myself > Sparks
Set 2: Fluffhead, Peaches en Regalia, Ride Captain Ride -> Dave’s Energy Guide,Corinna, Why Don’t You Love Me? > Camel Walk, Golgi Apparatus, Swing Low, Sweet Chariot
 First known Phish performance.
Finally back on back on Main Street in downtown Burlington, at least as far as the recorded tape goes. The band had, of course, been paying bar gigs the whole time but less of these from the early years survived. We do know that the band had been moved the lounge upstairs to the restaurant downstairs at this point in the band’s history. Most likely, to allow for the growing crowds that began to attend the shows. The show opens with a tight “Funky Bitch”, a good call to get the blood flowing. Trey dedicates the next song to The Residents, an experimental music group from San Francisco, whose trademark “Eyeball with Top Hat” logo t-shirt would be a wardrobe staple for Trey. The song dedicated turns out to be “Mike’s Song”. It’s a solid version which rolls into this show’s first highlight. “Alumni>Jimmy Page>Alumni” had been getting a little stale show after show but the version here is where the band finds a solid groove. There’s a nice blues jam between verses in the first half, “Jimmy Page” is tight”, and the ending jam is sublime. Quality early Phish. The energy continues as Phish rips into “You Enjoy Myself”. You can tell Trey really has been practicing this part intensely hitting the arpeggios with a fierce accuracy as Page dances around on keys. The “Boy Man God Shit” part also has very nice groove to i. The band just feels more rehearsed than before and it shows in the quality of this “YEM”. We even finally get the bass and drums jam! It’s short but closer to reaching the classic “YEM”. We don’t get a true vocal jam but we get Trey singing the children’s tune “John Jacob Jingleheimer Schmidt” over the bass line, which sounds like if James Brown had hosted a children’s program in the 80s. Has to be heard to be believed. “YEM” dissolves and we get the night’s first new cover to close set one. The band rolls into “Sparks” from The Who’s Tommy. It’s short but shows the band’s ability to pick up many styles. We’ll see “Sparks” come out a few more times over the years including during a could of very important shows. The Who’s influence on the band will not be understated as influence their more rock-oriented tunes of course being important to the year 1995. More on that in a future post.
Set two opens with Trey introducing Paul, the sound man, who also hand building the guitars, the rack, the speaker cabinet, and “most of everything else that you see.” He also thanks Sid, who runs the lights (obviously before CK5 hit the scene), and Willis, their new roadie, who plays a mean guitar. The band then starts up “Fluffhead”. Unlike the previous “YEM”, “Fluffhead” does not show the same amount of tight playing. The recording also has a tape cut at 8 minutes in so I don’t believe we have the full song from that night. Next we get another “Peaches en Regalia” that Trey flubs a little bit. If this was 3.0, people would be all over him. The next song, Trey dedicate’s to Paul, another new cover, Blues Image’s “Ride Captain Ride”. A rare cover, it does however remain in the band’s rotation to this day, having last been played on 10/26/13 in Worcester, MA. It’s also fun to hear another early Page vocal. Page doesn’t have the strong voice we now known but he does a great job with this fun 70s cover. “Ride” devolves into a fast jazz jam which segues into “Dave’s Energy Guide”. The end of “DEG” gets super loopy as notes are bent and Page plays around while Trey keeps the pattern strong. “Corinna” pops up again to slow things down for a spell. This brings us to the 2nd set centerpiece, a funky version of “Why Don’t You Love Me?”, originally done by Hank Williams but done much more in the /Jim Hendrix/Red Hot Chili Peppers funk style. This surely would have gotten people up and dancing in the restaurant that night. It definitely fits perfectly in the 1980s and Trey’s voice has a bit of David Byrne style to it for the song. Luckily the band left the song in the 80s and never played it again but it’s a must-hear due to it being a very early example of Phish doing funk. It also has a decent segue into “Camel Walk”. Unfortunately, for some reason the band decides to slow the tempo for “Camel Walk” instead of just maintaining the speed and ti’s gets choppy but the intro is interesting. Mike keeps up the slap bass for “Camel Walk” and Trey gets loopy with the lyrics but it’s a solid “Camel Walk”. A decent “Golgi Apparatus” and the “Swing Low, Sweet Chariot” jazz interlude close the set. Some believe a 3rd set may have been performed but the recording does not exist. Next show, we celebrate Earth Day at UVM! Thanks for reading.